Isaac de Benserade was a French poet.
Born in Lyons-la-Forêt in the Province of Normandy, his family appears to have been connected with Richelieu, who bestowed on him a pension of 600 livres. He began his literary career with the tragedy of Cléopâtre, which was followed by four other pieces. On Richelieu's death Benserade lost his pension, but became more and more a favourite at court, especially with Anne of Austria.
Benserade provided the words for the court ballets, and was, in 1674, admitted to the Academy, where he wielded considerable influence. In 1675 he provided the quatrains to accompany the thirty nine hydraulic sculpture groups depicting Aesop's fables in the labyrinth of Versailles. In 1676 the failure of his Métamorphoses d'Ovide in the form of rondeaux gave a blow to his reputation, but by no means destroyed his vogue with his contemporaries. Benserade may be best known for his sonnet on Job. This sonnet, which he sent to a young lady with his paraphrase on Job, having been placed in competition with the Urania of Voiture, led to a dispute on their relative merits which long divided the whole court and the wits into two parties, styled respectively the Jobelins and the Uranists. The partisans of Benserade were headed by the prince de Conti and Mlle de Scudéry, while Mme de Montausier and Jean-Louis Guez de Balzac took the side of Voiture.
In bed we laugh, in bed we cry;
And born in bed, in bed we die;
The near approach a bed may show
Of human bliss to human woe.
[Fr., Theatre des ris et des pleurs
Lit! ou je nais, et ou je meurs,
Tu nous fais voir comment voisins
Sont nos plaisirs et chagrins.]